View from the Edge Bulletin 1: Coma Dream

View from the Edge …

Life imitates art imitates life. Poetry meets politics.

EDGE BULLETIN 1: Dateline 18 June 2023

Anna Chen view from the edge bulletin science fiction writer's coma dream

The science fiction writer’s coma dream

For the longest time it felt like we were trapped in a science fiction writer’s coma dream and nobody could wake him up. We sensed something shifting underfoot, tiny spider-web cracks at first, then the juddering tectonic shift and the beginnings of a rip in the universe. Or was it just the post-war liberal order coming to an end as the capitalist cycle neared completion with all the goodness finally sucked out and nothing more left to give?

David Bowie left us in January 2016, taking all the cosmic glue with him. He’d given us five years. That would take us to 2021. How much worse could it get?

First the empathy went. Then the critical thinking. A cloud of amnesia floated like swarming locusts over the field of human view, before settling invisibly.

We were the last remnants of a better time, a higher collective consciousness when, despite the flaws and age-old crimes, mostly everything was on an upward trajectory. Humankind flowing towards the Great Attractor; full potential, us at our best.

Never before had the mass of any population enjoyed the advantages of princes. Time to spend toiling less in fields and factories and more on the things of wonder and beauty. We enjoyed poetry, philosophy, science, music. We even made it ourselves, no longer solely passive consumers of the crumbs thrown our way, but building things and thinking new possibilities into existence.

Then the storm began to gather.

Someone wanted it all back. A slow, incessant, silent assassin killing off what generations had built up in 400 years of Enlightenment.

They didn’t have to burn books. They just made sure fewer and fewer of us read them.

Giant conglomerates undercut the bookstores while we were busy amusing ourselves to death. You saw them die off in the towns, those peculiar little caches of humanity’s knowledge. It was the burning of the Great Library of Alexandria, this time in slomo. A process of attrition rather than all-out war, it crept up on us. We were the frogs being boiled slowly and served up with garlic sauce.

This one was digging out the roots of our perception. We’d have stuck our fists in the dyke to plug the outpouring, but where was the wall? Where were the cracks? What was the flow and how could we physically stop it?

Thinking it wasn’t enough. The resistance stayed in the heads of the few who saw it but we couldn’t yank it out into the concrete world where the damage was being done, foundations ripped up,

All the small, delicate dendritic connections began to wither and erode as our neurotransmitters dried up. The finest filaments, the sprigs and twiglets at the furthest ends, turned brittle and crumbled, blowing away like ash.

Then the larger twigs. Then along the stems, working its way down the branches until the bough broke and all we had left was brainstem. The world perceived without nuance; crude clashing opposites, grunts and cliches, pleasure and pain without the pleasure, ones and zeros.

It wore down to basic sex drives and fury: fight, flee or fuck. Then even that failed as our libido was throttled.

The television screen that had once been a window into the wider world, seducing us by showing us experiences we were unlikely to have ourselves, that had laid out vicarious pleasures like lacy underwear and chocolates on silk pillows, was now our jailor.

Dramas that drew you into the complex curlicues of thought, that surprised and shed light, now reduced humans to hysterics, never alive unless confronted by death.

The Case for the Prosecution that had once been balanced by a robust Case for the Defence in a society where fair play was the purported pinnacle of civilised existence now stood thuggish and triumphant like a roaring champ over the lifeless body of its opponent. No longer thesis-antithesis-synthesis, but one big tough-guy imposition of narrative smashing your head like a sledgehammer crushes a nut.

With nothing feeding us and no other coordinates directing us to a distanced perspective, everything collapsed into a single plane of grey mush.

Might was right.

Some had done hallucinogenic altered states drugs in their youth and knew the enhanced colours, the deep focus untangling. Others had loved beyond themselves and accessed the divine that way.

This was the opposite. A smashing together of plane after plane after plane, like the pancaking floors of the Twin Towers, into a single dimensional watery-grey contrast-free haze, like the morning after the death of the universe.

Where was up? Which way was down? We only moved when prodded with a big stick stimulus, tasered by horror. We weren’t even lab rats in a maze any more. We were amoeba cells on the petri dish of some mad scientist who thought there were too many of us anyway.

In the time we had left, we noticed few written items online carried dates any more, collapsing chronology and making orientation near impossible. It was hard to tell when something was written, when that idea was born, or what its genesis might have been. How did it slot into the timeline? Meta led the metaverse attempt to yank us out of reality and into their Matrix knock-off. An anaesthetising, soporific tranquiliser in a little headset.

When that failed, they gave us Artificial Intelligence that wasn’t very intelligent after all. More a big fancy word-processor relieving us of the need to experience and have the thoughts ourselves in the way your subconscious once processed all your experiences, gave them shape and made sense of them. Or not.

It was a good party trick, but the magicians never truly produced the rabbit, only a simulacrum of one.

That’s what we were to them, ones and zeros being programmed, our information stripped from us to create the world for the next pliant generation. They wanted newborns no longer sucking at the teat of the TV screen, or the iPad or the mobile phone but shrouded, cocooned, all stimulus inserted via goggles.

So what was to be done?

It was simple, really. All I had to do was complete three missions in the 21st century.

1) Make sure the left didn’t bury the anti-Iraq War campaign, one of the first countries in the long line of boxes being ticked off, the way they’d done with all the others. As long as it didn’t end up as another forgotten walk in the park, we might stand a chance. Check.

2) Make visible the invisible and humanise the Chinese in the culture, on the BBC and in the rest of the media. Usher them out of the ghetto, where they were sitting ducks, before the war started in earnest. Nice try.

3) Stop World War 3. Still working on it.

Edge Bulletin 1 – Logged 18 June 2023


Edge Bulletin 2: Dateline 20 February 2024 – Margate Grains of Sand

Shakedown Timeline to America’s 21st century war on China

Anna Chen William Gibson Geoff Ryman Kim Newman Paul McCauly
In which science fiction writer’s coma dream were we in? Probably not one of these as they’ve been wide awake through our slumbers. William Gibson (on the right) literally wrote the book.
Jack Womack Anna Chen new Qorld
Jack Womack and Anna in the New World
Geoff Ryman and Charles Shaar Murray

History Rhymes
How many times have I watched the moon
Slice open the night across the hedgerows,
The church tower on white fire,
Lit up like seven centuries of truth?
Genuinely ancient, not a Victorian Gothic knock-off,
It whispers its history to me and
Gets mediaeval on my ass.
From thirteenth century, unlucky for some,
Nation states are born, others take their last breath,
Crusaders carving their craziness
Through popes and princes
And the Black Death.
Its arched windows witnessed
Every sun since it set its stones among
Monastery graves and monk-attended gardens,
Saw modern history crawl like a lungfish out of the sea.
Under its long, black eye the world turned
Dark to Light and back again,
Ricocheted in a flash of gunpowder,
The grim pause of the doodlebug’s purr,
The wailing siren, the tolling bells,
It stood firmly unswung through the sixties to Star Wars,
While empires rose, devoured and fell.
Across the road my neighbour’s house,
1667 picked out in relief on the wall.
So much history from the English revolution:
Cavaliers and Roundheads, Catholics and kings,
The Great Fire of London, the scientific Age
 Of Enlightenment born in the wake of the Plague.
I thanked my lucky stars, blinded out by the moon,
That the end of history meant the tower,
My neighbour’s house and I,
Blessed and graced with the most tedious of times,
Escaped our visit from the Four Horsemen.
For are we not modern men and women
Not given to histrionics and the Big Event?
Something shifts underfoot, a deep and distant snapping
Of a hairline crack spider-webbing its way here.
Under the shadow of an eclipsing moon
Stones melt. The air kills.

From Anna Chen’s second collection, Chi Chi’s Glorious Swansong

Give me a lever and a place to stand and I will move the earth. Give me a fulcrum, and I shall move the world. Give me a firm spot on which to stand, and I shall move the earth.


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Anna Chen Poetry Chi Chi's Glorious Swansong
Anna’s second poetry collection, Chi Chi’s Glorious Swansong
Anna Chen Reaching for my Gnu poetry book
Anna Chen’s first collection of poetry, Reaching for my Gnu (published by Aaaargh! Press)

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