POEM: Copper Comes A Cropper – today’s Leveson Inquiry hearing

Copper Comes A Cropper
Monday 5th March 2012

A little bit of sympathy at the back, there.
Puh-leaze. Let’s be ‘aving yew.
At the Leveson inquiry
The cruellest moment is when
Sir Paul Stephenson,
The poor put-upon former chief bill,
Hobbles in on crutches and drops a pill,
Cutting such a pathetic sight
Under the assembled legal might.
So small for a tall man,
Bespectacled nerd
Pinched lips, he can barely cope.
Only a thug like a lawyer
Would punch well-honed words
At a man on the ropes.

He says:
I may be public watchdog eyes and ears but
I wasn’t there, never heard a thing,
Couldn’t see, except for what the reptiles did to Lord Ian Blair
Stripped bare in the glare of The Sun
And that wasn’t going to happen to me.

A loose-lipped minority gossiped
In a distracting dialogue of disharmony,
Dysfunctional, too close for my liking.
But I couldn’t do a thing, not a thing.

Ever so humbly, may I suggest you are
Crediting me with a level of analysis I don’t have.
I didn’t give it any particular thought
No conclusions can be wrought.
It was just something that happened,
Like The Sun coming up in the morning,
Shedding light on the scum we turned over.
I am not fawning but we don’t investigate someone we know socially
and with whom we are friends.
Except when we did the police officers.
A big boy done it and ran away
And stopped us realising there was anything wrong
When he told us there was no new hack sore.
We adopted a defensive mindset instead of a challenging stance
I can see that now.
It was a cursory glance
Not wide, not deep.
We were asleep.
If only we had the wisdom of hindsight
and hadn’t been caught out
it would all be all right.

I’m not throwing my colleague out of the back of the sleigh and
I can’t answer for him but
It would have been wiser presentationally
For him to have done it different.
However, he is away in Bahrain and you aren’t getting him back in Old Blighty
Until the heat is off,
Until you call off the dogs,
Until the trail has chilled like the champagne we quaffed as we doffed.
Defending and not challenging,
That was the error of our ways.
We are brave and did not back off, guv,
Just because it was News International.

We were logical and needed the polaroids
Coz the tapes and diaries in Glenn’s black bags were not enough.
It was the Bahrain runaway who did not reopen the enquiry
He failed, it is regrettable. That’s tough.
Fear of taking on a powerful enterprise is not the case.
I did not put the frighteners on the Guardian editor,
Or spray him with Mace,
Or rough him up too much.
Politics over substance
I merely turned up to understand.
But there was no meeting of minds,
My pulse did not race.
You could not get off your face with him
Unlike the real press, proper gents we could have a laugh with
Over a drink and a nice dinner.
Call it folly but Mr Wallis was generous with the Bolly
And Yates of the Yard was fond of his jollies.
I just did not get it and wasn’t keeping tally,
The Met caught Chlamedia off Wallis by getting too pally
But we gave him Cressida Dick.

A lack of evidence beyond the lone rogue reporter
Meant rationed resources and an underfunded force
Would not be put on the job as a matter of course.
Please give us more dosh if you wish us to wield the cosh.
I was overworked with anti-terrorism,
The Olympics,
Not my decision
A junior did it and is sunning himself in sandy climes.
I am an ill man, I need a week in a spa.
Can you recommend one?

And so they adjourn for another time.

But spare a thought for the thin blue line.
Poor Raisa, disappeared, turned to glue,
Currently starring in a pet food can near you
To stop her singing like a canary,
Squealing like a pig at an inquiry.
Take the porkers she carried;
She knew Cameron’s arse inside and out,
Blue heart and stout,
Fullsome about Coulson,
He put it about,
Withdrew when the thin blue sphincter tightened,
Purged the toad and found his load lightened.
Raisa rode bravely into the student throngs they harried
Righting a wrong for the Right
Got the stomach for a fight when protesters say neigh
And you weigh as much as ten of them
With a bobby on your back.
Truncheoned before luncheon
Unfree by tea
Scuppered before supper.
A hack for the hacks
The sack for the lax
When they are found out
Her hooves are all over this
but her head is in some mogul’s bed.

(c) Anna Chen 5th March 2012

Note: Neil Wallis’s company, hired by the Met, is named Chamy Media

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Photos of The Steampunk Opium Wars

The first photos in from The Steampunk Opium Wars staged Thursday 16th February 2012 to almost 300 people at the National Maritime Museum.

Photographs by Jan Jefferies taken on my Lumix TZ20 camera except where stated. More photographs of the Farrago Poetry History Slam to come via Joh Paul O’Neill. Portraits of the cast by Sukey Parnell arriving soon.

(Thanks to Deborah Evans-Stickland’s friends at Verulaneum for the loan of the genuine replica Roman helmet for Britannia.)

The story in pictures: click on the first photo to see these full size, then click on the pic to advance to the next one and so on.

All pix copyright Anna Chen 2012 except those stated otherwise.

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LIVE STREAM The Steampunk Opium Wars

Get ready from 6.30pm on Thursday 16th February because we have a live stream of the show from the National Maritime Museum.

Show kicks off at 6.45pm. It’ll be just like you were there.

Click on these links:

New MLEC2flashios embed

Back-up live stream

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Steampunk Opium Wars extravaganza at Greenwich National Maritime Museum

Anna Chen Charles Shaar Murray Steampunk Opium Wars NMM
Britain’s craving for chinoiserie in the 18th and 19th centuries resulted in a trade imbalance that threatened to empty the treasury. To pay for the tea, silks, spices and porcelain we liked so much, the East India Company sold enormous quantities of cheap Bengal-grown opium to China, turning an aristocratic vice into a nationwide addiction.

The profits from the opium trade made fortunes, earned revenues for the British government, paid for the administration of the Empire in India and even financed a large slice of Royal Navy costs. When the Chinese tried to halt the import of the drug, the narco-capitalists persuaded Foreign Secretary Palmerston and Lord Melbourne’s government to go to war in 1839. The first military conflict, lasting a bloody three years, resulted in the Treaty of Nanking and the transfer of territory including Hong Kong to British rule.

Want to find out more about this dark period in Anglo-Chinese history? To celebrate Chinese New Year and mark the opening of the National Maritime Museum’s new Traders Gallery, I’m presenting The Steampunk Opium Wars extravaganza with songs poetry and music from legendary writer Charles Shaar Murray; The Plague’s Marc “The Exorcist” Jefferies; Deborah Evans-Stickland performing her Flying Lizards mega-hit “Money (That’s What I Want)”; Gary Lammin; and DJ Zoe Baxter AKA Lucky Cat from Resonance FM.

Historical characters will be slugging it out in verse to persuade us of the pros and cons of waging war to push drugs: with John Crow Constable, Paul Anderson, Hugo Trebels, John Paul O’Neill and Louise Whittle.

The evening is centred around Farrago Poetry‘s History Slam where the audience will have a chance to write poetry on the theme in workshops led by the historical characters, and then perform them in the slam.

Come and play with us.

Free entry but places have to be booked in advance.

Anna Chen presents “Traders”
National Maritime Museum, Sammy Ofer Wing
Greenwich
6.30-10pm
Thursday 16th February 2012
Tickets: Free but book in advance
Tel: 020 8312 6608

FACEBOOK PAGE FOR THE STEAMPUNK OPIUM WARS

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St Ives and Me: my programme on my favourite town

St Ives & Me press

I’m most chuffed to see that my programme on the delights of St Ives in Cornwall has been made Pick of the Day in the Radio Times, The Times, Telegraph, Daily Mail, Observer and the Independent on Saturday.

My connection with the seaside town began before I was born, when my aunt and uncle spent their honeymoon there. I was later taken on holidays with my family as a child. I loved it so much that I lived there for two years as a teenager, dragging my best friend along. Denise fell under its spell and didn’t go back home for months, working as a hotel chambermaid and for the legendary (in my mind) Mr Peggotty’s discotheque. That’s a story that’s been repeated in various forms down the years.

In St Ives and Me, I wanted not only to share my love of the place but to explore why it is such a powerful draw for artists and bohemians. It was vital in my spiritual and creative development, and still is, especially in the way the various events stimulate, showcase and encourage poets, musicians, performers and writers.

The arts are democratised in St Ives, class differences dissolved, human potential realised. Money and privilege doesn’t get you as far as talent and enthusiasm. But they do buy you a niche down there. The bankers and second home owners are pushing out the locals. We may be witnessing the end of a golden age if they push out the creatives, in which case we may end up with just another pretty coastal town.

St Ives and Me: BBC Radio 4 11:30 Thursday 1st December
Produced by Chris Eldon Lee for Culture Wise

A few photos from my September visit when I recorded St Ives & Me for BBC Radio 4. Plus more from past visits. Click on pix for full size versions.:

All pix copyright Anna Chen

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Anna May Wong Must Die pix

This gallery contains 26 photos.

Satire, sex and politics. Photos of the final show of this run at the New Diorama Theatre, Saturday 12th November 2011. Legendary culture writer Charles Shaar Murray and The Plague’s Marc Jefferies rocked the house with live music. Still on-script … Continue reading

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